Tuesday
Jan312012

with Dottie

PRE-VALENTINE'S DAY CONCERT
with
CALL & RESPONSE & FRIENDS

Dottie Grossman (words) & Michael Vlatkovich
(trombone improvisations)
Rich West (drums, percussion)
special guest: Andrew Pask (clarinet)

will perform at:

The Battery Books & Music

Saturday, Feb. 4
at 8 pm at
1005B Mission Street
South Pasadena

admission free, donations cheerfully accepted
street parking or consider parking in the school district's
parking lot off of Diamond, one block east of Meridian.
Monday
Nov212011

Kaiser Birthday gig

I forgot to tell you about this one.

I played in San Diego over the weekend at a gig celebrating the birthday of Jeff Kaiser.

Here are some of his rehearsal photos

We got a review in

"Andrew Pask squeezed notes from his soprano like a sociopath strangling puppies."

I'll probably hang on to that one for the CV
Thursday
Sep292011

Campursari

I played on a couple of tracks for Jonathan Besser's new album Campursari, it was just released a week or so ago. Sounds really awesome!

You can check it out here
Thursday
Sep292011

Freelance

Don't miss--rare appearance!
FreeLance
Lance Lee - Drums
Alex Al - Bass
Wayne Peet - Organ & Keys
Andrew Pask - Woodwinds & Electronics

Hollywood Studio Bar & Grill
6122 West Sunset Blvd [Gower Gulch mini mall @ Sunset & Gower St]
Hollywood, CA 90028
323-466-9917
Friday Sep 30, 2011
7:30 pm
one set
Massive, yet grooving!
Wednesday
Aug032011

EagleRockScapes

Open Gate Theatre & Center for the Arts, Eagle Rock present


Sunday Evening Concert Series feat.
Andrew Pask/Wayne Peet/Steuart Liebig/Alex Cline

&

Tom McNalley/Jeff Kaiser/Michael Vlatkovich


August 7, 2011
7:00pm


General Admission: $10

Students, Seniors, and Series Performers: $5



Center for the Arts, Eagle Rock
2225 Colorado Blvd.
Los Angeles, CA 90041



Gifted and multifaceted saxophonist-clarinetist Andrew Pask assembled a quartet of veteran local musicians who, like him, were strongly inspired and influenced by the classic 1976 ECM recording by bassist Barre Phillips called Mountainscapes in order to pay tribute to this work by playing some of the music from it together.  Pask, employing tenor and soprano saxophones, bass clarinet, and electronics, along with keyboardist Wayne Peet, contrabassguitarist Steuart Liebig, and drummer Alex Cline, uses many of the record’s composed themes as well as its sonic and improvisational approach and aesthetic as points of departure for the group’s collective musical manifestations.  Having played together in various settings over a number of years, the quartet draws on its own unique and well-developed chemistry as well as its shared appreciation for Phillips’ landmark recording to create a dynamic context for some expansive music-making.  The music, far from dated, is presented with a personal stamp of freshness and creativity, making for a memorable playing and listening experience.
 
Opening the evening is a trio of musicians whose mere combined talents should bode well for any fan of accomplished and creative improvised music-making, electric guitarist Tom McNalley, trumpeter Jeff Kaiser, and trombonist Michael Vlatkovich.  McNalley, often heard in a trio context with rhythm section, presents for himself, the musicians, and the listeners, a musical context overflowing with potential for free, open-ended melodic invention and sonic exploration.  Having worked with both Kaiser and Vlatkovich many times over the years, both of whom are world-class players in any situation, McNalley creates an opportunity for a set of sensitive, sophisticated, spirited, and witty musical adventures.